The Art Kids Are Not Alright <--- article in response to Generation Blank and Should We Trust Anyone Under 30
Dear established critics: if you’re thinking that all is a little too smooth and easy in this young art world, it would behoove you to dig a little deeper for the movers and shakers. The Venice Biennale and the critical echo chamber probably isn’t the place to find something new and different. Schor writes that “a general atmosphere of a new conservatism among twenty and thirty somethings is evident on all societal registers.” I think if Schor and Saltz could look around a little more, they would find the liberal dialogue that they’re missing.
Brought to my attention by Erin Webb
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